Monday, 2 September 2013

Who you gonna call? Goat busters?

We’ve all seen those bizarre old photographs of fairies and ghosts and spirits and everything else weird, usually Victorian, usually blurry, usually a trick of the light. 

I ain't afraid of no goat!


Light is a tricky thing to control at the best of times, and when you’re engraving with light (‘photo’=light; ‘graphy’=engraving) it can behave so unpredictably…especially when you point your camera right into the big light in the sky (don’t try this at home kids!), should you ever be lucky enough to see it.

That’s how a lot of those freaky images are made.  And here’s one I made earlier.




Don’t have nightmares – do, sleep well…or the headless wild goat’s gonna come and get you  WWAAAAAHAAAHAAAHAAHAAAHAAAAAAA!!!

British Wildlife Photography Awards success!

I'm delighted to announce that two of my images have received awards in this year's British Wildlife Photography Awards.  


'Ant Peekaboo' - Highly Commended in the Hidden Britain section

My image 'ant pekaboo', taken in roadside foliage just round the corner from my house, was highly commended in the Hidden Britain section (a specialist macro section),



'Round-leaved Sundew' - Highly Commended in the Botanical Britain section.

and my image of a sundew (another macro image, this time from the Isle of Mull) was highly commended in the Botanical Britain section.

The exhibition of all the winning pictures opens today in The Mall Galleries, near Trafalgar Square in London this week (until Saturday 7th September), then it goes on tour around the country.  The book containing all the winning pictures is also out today and available in most bookshops.

Congratulations to all the other successful snappers out there. I look forward to seeing as many as possible of you at the awards ceremony on Wednesday!

Sunday, 1 September 2013

All you need is...

Q: Why should you never trust a wildlife photographer in a home furnishings shop?

A: It's easy - all you need is...



What do you think of that then?

Ooooooooooooooooooooh!!!!!!




Friday, 30 August 2013

Wild goats, scraggy rocks, and endless blue sky.




Wild goats have been a part of the British landscape since Neolithic times, although many of the herds in Scotland are descended from those released by the evicted crofting communities during the dark days of the Highland Clearances of the 19th Century.   It’s certainly not difficult to see them as part of the landscape since they make a perfect fit.  Following them around for a few days (or even hours), you become acutely aware of how well adapted they are to the landscape in their habitat, a mixture boggy grasslands and steep, rocky cliffs around the coast.  Moving around this landscape, they can scale near vertical rocky walls with apparent ease.  Following them with a heavy backpack of camera gear is, therefore, extremely difficult at times.



In this series of silhouettes, I wanted to shoot as wide as possible, dividing the earth from the sky, and bringing the goat and the rocky ground together in the black part of the image.  The goat merges with the landscape, but at the same time remains distinct.



This particular goat is a large Billy, whose trust I gained over the course of several days.  In these photos, he found a spot to sit down for a sleep, and was perfectly comfortable with me crawling closer.  I shot the images with a short telephoto lens (my beloved 70-200mm), but then clumsily dropped this into a deep rock pool whilst trying to crawl closer.  Watching four-figure’s worth of lens plummet like a stone to the bottom of a salty pool is not a pleasant experience when you’re in mid flow of a good photo session (miraculously it survived!), but it forced me to switch lenses, and I continued shooting with a wide-angle lens (17-40mm), making the goat very small within the frame.  That’s the kind of picture I really like.  


Wednesday, 28 August 2013

Mystery animal revealed!

On yesterday’s blog, I asked if you could identify this animal, and there were quite a few suggestions, some less sensible than others!!




The answer is…




…it’s a Grey Seal.

I took the photo a couple of weeks ago on the Isle of Mull.  That is, the seal was off the Isle and I was on it, but only just!  By the end of the session, at least, I was more in the water than on the land. 

I’d been sitting on the rocky shore for most of the day, hidden away between a group of rocks about 30 yards or so from the water.  This position kept me hidden whilst affording me a good view of a stretch of coast, in case my otter friend should come along.  He didn’t.  But much as I was hidden adequately from an otter, the seals were on to me, and five of the sat bobbing about in the water for the whole day (don’t they have things to do?) just watching me inquisitively.

Towards the end of the day, the light was getting good and the tide was coming in, so I decided to edge slowly down towards the rapidly receding shoreline, and see if I could get some frame-filling head shots at water height.  I like the fact that the waves were coming in, and that these partly obscured the seals’ faces as the water level bobbed up and down. 





The only problem was that I hadn't protected my camera, and taking photos at water-level with an incoming tide means your camera can get wet, and salt-water is a particularly bad addition to a camera.  I tried my best to keep the salt water off it, but given the choice between being careful and getting the shot, I always go for the shot.  By the end of the session, the seals’ inquisitive nature, combined with the incoming tide, had brought them very close to me indeed.  I was lying on the rocks in the shallow water, with my camera held just above water height by the beanbag it was resting on.  I was cold, wet and happy in equal measure.  My camera was not so happy – the battery grip is almost certainly a write off, and I’ll need to get the whole thing serviced before I’m able to use some features again (I can’t switch to movie mode!).  Was it worth it?  For me, yes, definitely!  Moments where you manage to get this close to wildlife, and your presence is accepted, are simply golden.


Tuesday, 27 August 2013

Post bank-holiday quiz fun!

Post bank-holiday FUN! 
Here’s a little quiz question – can you identify this mystery animal?




If you think you know (and even if you don’t), have a guess and post your answer as a comment here or on my facebook page, or you can tweet me using the hashtag #krisquiz.  The answer will be revealed tomorrow! 

Monday, 26 August 2013

Wild Goat Rut

Wild Goats Rutting - Isle of Mull, UK



I’ve just returned from the Isle of Mull, where I spent most of my time tracking a herd of wild goats across various different types of landscapes within their habitat.  Over the course of a few weeks, I was privileged to witness a whole variety of behaviour, including a birth, attempts at mating and (as pictured) a rut, as well as numerous types of social bonding and other herd behaviour.  It’s fascinating to watch a group of animals over such a period as this, and witness their social hierarchy in action, as it is established, challenged, and redefined.  Even as part of an established herd who spend most of their time grazing together, life in the wild is my no means straightforward.  This becomes particularly evident in their rutting, where these shy, easy-going mammals demonstrate an enormous level of strength, power and determination – and as an observer, I was very happy not to be caught in the middle of it all!

On the day I took this, I had been sheltering in a rocky spot by the shore, hoping to catch up with a local otter (whose picture I posted in the previous blog), when my attention was drawn to the sound of clashing horns, about 200 yards behind me.  A sub-group of six goats were standing on a grassy mound just above the coast line.  The rutting goats stand opposite each other before one rears up on its hind legs before using the momentum of its fall back to earth to drive its weight head-first into the other.  It’s an immensely powerful move, and as both sets of horns meet with great force, it’s possible to see the shock waves ripple back through the loose woolly coats of each animal, from their heads down towards their back ends. The sheer force is eye-watering, and I found it difficult not to wince a little each time they ram into each other with such force.

In spite of the power and ferocity of the rut, there were many aspects of this behaviour that seemed surprisingly civilised.  The goats had chosen a site for their rut within a rectangle marked by the ruins of an old crofters’ building.  This appeared to be established as their ‘ring’.  As soon as one of the rutting goats stepped outside of this boundary, the clash was over temporarily, and both parties took a few moments to collect themselves before coming together again.  As they battled it out further, the others goats in the group stood around watching, with one particularly dominant bystander looking almost like the umpire of a boxing match, standing close with his eyes fixed on the action, even breaking the goats up when they became too entangled.  In between bouts, the goats go through a complex ritual of communication through licks, sniffs, and scraping at the floor with their hooves, a conversation in gesture which appeared to clarify the outcome of the previous rut, as well as offering them a moment of respite.

Assuming a position close by from which I could observe them (which was not difficult, since the goats themselves were so absorbed in the rut that they hardly paid any attention to me), I rested my camera on a rock.  After taking and reviewing a few pictures, I was initially disappointed that they didn’t convey the sheer power of the battle between the goats – instead the images appeared rather static.  Instead, I started using a slower shutter speed (1/15 sec) to ensure that more of the movement of the tussle was shown in the resulting images.  Using such a slow shutter speed means having to throw away a lot of pictures in which the action appears as nothing other than a blur of wool and horns.  But by moving the camera as precisely as possible with the movements of the goats, it was possible to get one or two shots in which some of the features were suitably sharp.  These pictures demonstrate the turmoil of an individual caught up in this whirl-wind of behaviour, which is just what I wanted, and this shot was my favourite of the whole bunch.